Draken, the home of the Göteborg International Film Festival and my frequent point of existence, finally got a digital Barco projector and a Dolby server for handling digital features. As you may or may not know, cinemas around the world are moving to digital images while industry icons such as Kodak are crumbling, and in a matter of months or perhaps a year or two, 35mm film projection will only happen in film archives and art houses.

And, perhaps, film festivals. As I write this, only a week remains to the opening night of the 35th annual Göteborg International Film Festival, and at least half of the features I will screen there will be in DCP format. Yesterday, I ran my first all-digital show with the new equipment and today will be the second.

To people like me, this feels like the end. I’m hoping it’s not but I can’t help thinking that as a projectionist, I now belong to the museum together with the 35mm projectors and old cinema sound processors.